複製 / Replicate
Pre-rep. 倍樂生之家／The Oval by Tadao Ando
Rep#1. 圓閣 / Circular Pavillion
Sketchup.
ref. The Oval by Jolene hor / Pink Blossom by Alex Roman
安藤忠雄
出生于1941年9月13日，他是一位自學成才的日本建築師。
他將原材料、水與光融合，並遵循自然環境的方式建造，
展現出獨特的空間意識，並將日本傳統與西方現代主義的設計原則相結合。
安藤的作品一直被描述為具有俳句效果，並與日本禪宗佛教哲學相聯繫，
他確保觀眾體驗將建築結構的每一個細節和周遭的環境視為整體，
為提供一個平台讓我們足以理解自己心與身之所屬，
以實現其中的精神滿足感和對美的驚奇與親密感。
這使觀眾能夠重新發現那些讓他們情感激發的，潛意識元素。
Tadao Ando
Born on the 13th of September, 1941. He is a Japanese self-taught architect.
He blends raw materials, water and natural light together, guided by nature,
embodying his unique spatial sense, merging both principles of Japanese tradition with Western modernism.
Ando’s works, often described as Haiku-esque, and linked with the ideology of Zen in Buddhism,
ensuring viewers to embrace every detail of the building structure and its surroundings as a whole,
offering a platform to understand which we belong physically and mentally,
bringing to us spiritual satisfaction, awe and intimacy of beauty.
. This allow viewers to rediscover those subconscious elements that offer emotional provocations.
橢圓 倍樂生之家酒店 / 日本直島
1995
坐落於高地，俯瞰瀨戶內海，
這個以裸露混凝土組成的構圖，與一個寧靜的池塘和一個開放的天花板相結合，
讓自然光從頂部傾瀉而下，並能夠目睹季節的變化。
他從未辜負「代表自然、藝術和建築的共存」的理念。
在建築大師如Le Corbusier和Louis Kahn的影響下，
安藤選擇了對易於取得的混凝土進行實驗。
這使他賦予了建築一種空虛感，同時創造了深度和意義，
並激發人們利用一切可得之物，取得靈感。
寂靜中的美和簡約的力量給于了遊客和觀眾感官和身體上的體驗，
讓堅硬的工業混凝土、柔和的花朵和翻滾的雲之間，建立了張力和懸念；
在人與建築之間建立了安全感和冥想感。
這間酒店將陌生人和路人置於壓抑又舒適的空間中，
“在我們所存在的建築環境中建立豐富而有價值的人與建築之間的關係”，
展示了投入在設計的美學和功能中的人性。
安藤對場地的感知影響了他對建築美學和功能的決定，
相對地，觀眾對他建築的呈現是怎樣定義了它？
THE OVAL Benesse House Hotel / Naoshima, Japan
1995
Located upon high ground, overlooking the Seto Inland Sea,
this composition of exposed concrete, joined with a tranquil pool, and an open ceiling,
allow natural light to cascade from above, witnessing seasonal changes.
He never fails to “Represent the coexistence of nature, art and architecture”.
Under the influence of architectural masters for example Le Corbusier and Louis Kahn,
Ando chose to experiment with readily available concrete.
This lent architecture a sense of emptiness, yet also depth and significance it enticed,
inspiring people to draw inspiration from everything they find.
The beauty in silence and the power in simplicity, offer guests and viewers both sensational and bodily experience,
between hard industrial concrete, gentle blossoms, and rolling clouds,
a tension and suspense between security and meditativeness interconnected.
This hotel places strangers and passersby in a space oppressive yet serene,
“to establish a rich and rewarding relationship between people and the built environment within which we exist”,
showing the humanity invested within the design aesthetic and function.
Ando's perception of the site, shaped his decision on the architectural language,
in relation, how would viewers' perception define what they see?
圓閣
以‘橢圓’為藍圖，我欣賞大自然與建築的共存，給予最多的空間讓風和光接觸，
為人類提供一個放鬆的場所，與自然互動，並放慢生活的腳步。
Circular Pavillion
Using 'the Oval' as blueprint, I appreciate the coexistence of nature and architecture,
providing larger space for air and light to pass through.
Offering a relaxed place for humans to interact with nature, thus slow down their pace of life.
