激 / Emotional Provocation
December 2020 - April 2021
情感激發定義（了）建築。
這是一個思索建築定義的雙向句。
一方面，有情感定義了建築，同樣地，有情感正在定義建築。
‘建築可以讓我們同時居住在空間和時間中。。。讓人感受到時間的延續性’
－帕拉斯馬, "肌膚之目：建築與感官"
從建築師，藝術家和設計師，他們共同創造和構造，
利用自己對社會的情感和理解，定義我們將來認識和看見的一切。
到觀眾的自我感知和多方面考量，被新激發起的情感，
將繼後，以新式定義認識和看見的一切。
我們與社會，透過多媒體聯係在一起，
當中之理論促使我們能夠思索人類和社會意識形態的不斷演進。
而作為觀眾的一方，更能從激發起的情感，對建築產生抵抗或信仰，
並直接影響時代變遷的方向。
在激感中，
我引用一位針對人類滿意度的建築師來展示建築的力量；
一位利用既定的不尋常，于探索人類情感的時尚設計師，將我們引入一個問題世界；
一位插畫／設計師，以探索如何利用材質和顏色改變情感的激發；
並以一位雕塑家，作為最後對所有藝術家探討的綜合回應。
Emotional Provocations define(d) Architecture.
This is a dual reflection on the definition of architecture.
On one hand, there be emotions that defined architecture, simultaneously, there be emotions that are defining architecture.
“Architecture enables us to… place ourselves in the continuum of culture and time.”
- J. Pallasmaa, "The Eyes of the Skin: Architecture and the Senses"
From architects, designers and artists, they create and construct collectively,
utilising their emotions towards and understanding of society to define everything we will come to know and see in the future.
To the self-percepted and multifaceted considerations of the audience, newly provoked emotions,
will subsequently lead onto a novel understanding and perception.
We are interconnected with the society through multi-medias,
wherein theories enable us to contemplate the continuus evolution of human and societal ideologies.
As audiences, we can resist or believe in architecture through the emotions evoked,
and thus directly influencing the direction of societal change.
In the realm of Emotional Provocation,
I portray the power of architecture through an architect who concerns for humanity and people satisfaction;
lead us into the world of questions through a fashion designer who explore emotions through the norm of abnormal;
explore altering of emotions through an illustrator/designer who explore materials and colours;
finally, offer a comprehensive response to the exploration of artists through a sculptor.
